This photoshoot was messy and fun. And we had never met before making this art. THAT'S what I love about it. Strangers connecting with strangers and trusting in the creative process!
These images were taken while in residency at The Soap Factory in August of 2016 (part of "3x5 series").
Skin.Rock.Bone.
These photographs EXPLORE
my CONNECTION and appreciation for the human body,
the EARTH
and
all the visual, visceral connections BETWEEN the two.
I hope you see
my BODY and the BODY of the earth.
my friend Ben taking a personal tour of the gallery, and taking his time
I'll be there tomorrow, Tuesday January 12th, from 5-9pm. I'll be looking at those images on the wall. I put them there (with the help of so many people: Jack, Leah, George, my mom!). I'm so grateful, to every model, and every person who became part of this series.
The series will be taken down Thursday. But until then, there's still time! For everyone who wants another look and for those who missed the premiere last week, come and snag one of these for your home. They're priced to sell. (And if I'm at the studio, we can watch "Mad Minute Films" and talk about future art-making!!)
Hope to see you tomorrow. (Homewood Studios, 2400 Plymouth Ave N. Mpls)
Artist Statement
I relate and respond
I search and re-search
I am bound and re-bound
Balanced between here and now
Dancing and waiting to dance
Physical instincts arise and fall
Expectations fade
Energy recycles
And I am an artist
Still
Smooth fluid
Earthbound
Caught flow
Bones go
Skin go
Info upload
Quicken breath
Track response
Interact
React
Touch
Play
Click
Find
Warp
Evolve
Repeat
I am the rock.
I am the body.
I am the artist.
I am an artist, educator and improviser who makes work around the many fears, pleasures and mysteries we experience through the human body. My work is deeply rooted in human connection, physical touch and shared emotion. Perfect timing, authentic expression and virtuosic surprise are my goals.
I embody a personal relationship to gravity, move with idiosyncratic rhythm, entertain the imagination and empathize with my creative partners and audiences alike. I design movement, space, sound, and image.
My personal goal as an artist is to shed light on the connections we often overlook and to offer a reminder that simple, honest movements of the body can be insightful, inspiring and powerful.
I relate and respond
I search and re-search
I am bound and re-bound
Balanced between here and now
Shooting from the hip
Dancing and waiting to dance
Physical instincts arise and fall
Expectations fade
Energy recycles
And I am an artist
Still
Smooth fluid
Earthbound
Caught flow
Bones go
Skin go
Info upload
Quicken breath
Track response
Interact
React
Touch
Play
Click
Find
Warp
Evolve
Repeat
I am the rock.
I am the body.
I am the artist.
Through exploration, dialogue, practice and collaboration I acknowledge the many fears, pleasures and mysteries we experience through the human body. I care greatly about making an accurate, beautiful image, but I prioritize honesty, improvisation and authenticity in the process of making still images. For these reasons, I think carefully about the experience of the subject and how we might interact while crafting art. Through my dance/choreographic work I have developed scores, rules and explorations to guide my subjects into a natural state of being, rather than posing or getting a specific premeditated image. Even afterwards, when the images are uploaded to my computer, I limit my manipulation and edits so it looks like it felt in that moment. To be clear, none of these images were processed in photoshop. No skin retouching, no spot removal, no major “corrections.” These “imperfections” are meant to be part of this work. When I see the images I reflect back to that exact moment, with those people. How we made it matters to this work.
I am an artist. I mean: making art is my job. "My job is good and easy," I tell myself on the difficult days. I say it's good and easy because sometimes that's easier than arguing the reverse. But on the days when I show up early, work hard, fight through the pains (physical, mental, emotional) and get paid very little, it's anything but easy. But on days like this, when I take my camera & a friend for a walk, I almost giggle with excitement, "my job is good and easy." Today my job is to photograph a body in a landscape.
My friend Sarah and I agree to do a late fall photoshoot for my photo series Skin.Rock.Bone. It's the first week of November in Minnesota, so we are cautiously optimistic about the bare "skin" part of this adventure. The day starts out gray and slightly rainy, but we agree to forge on nonetheless. I am just coming from teaching two morning dance classes (one to first graders and one for people of mixed age & ability). I am ready to get outside and play!
I know from talking to Sarah about the Skin.Rock.Bone shoot that she is a bit nervous. She's not alone. Almost everyone I shoot feels some sort of nerves or jitters. But here's the thing: our bodies are beautiful! And inevitably when I spend a little time with someone, photographing or otherwise, I see that person's positive qualities and reflect them back to him/her/they. When it comes to photography, the issue is complicated by our previous experience with body image, media fantasy, sexual objectification, the selfie obsession, gender expectations, culture, and the list goes on. To feel good about one's body is a difficult and complex endeavor.
I aim to capture the magic of the body
"I had never really entertained the thought of being in a nude photo shoot. I’m all about body positivity and I’m a strong believer that all bodies are beautiful. Moving, still, laughing, crying, it doesn’t matter. I absolutely love seeing how bodies can relate and fit and feel. But for some reason I’ve always had such a hard time feeling those positive things about my own body. I think Blake finds beauty in people and things and life in a similar way that I do, but the main difference is that he can use his amazing talent for photography to show that beauty from his point of view. After the first few shots, he said “Here, see what you think” and turned the camera around to show me. All I could think was “Wow.” I’ve never had a reaction like that to a photo of myself. Never. The funny thing is that it kept happening over and over again. We went to different locations, we were silly, we were serious, I felt different amounts of comfortable and dangerous and every single time he turned the camera around to show me one of his favorites I had that same positive reaction: “Wow, that’s me.” It wasn’t cheesy smiles or forced poses, it was me. Blake was able to catch moments that showed the parts of my personality that I love and appreciate so much in the body that I have a little more trouble loving sometimes. He was able to turn the camera around and prove that the way I’ve gotten used to seeing myself isn’t the way the rest of the world sees me. What a beautiful thing to be wrong about." -Sarah, friend/human
And I'm back to the shoot with Sarah. We get to our shoot location, near the Mississippi River, and Sarah and I each take a moment to take in the surroundings. The land here is special and I always love finding a new place to explore. I like looking for details and taking in the size of the rocks. I'm looking for hidden gems and spots of warm sunlight. So we begin. Sarah plays the role of the rock beautifully. She moves, adjusts and settles in to being photographed. We talk some, I give direction and ask her to find relaxed but energized poses. We share a somatic language through dance. Sometimes we stop talking and just shoot. Then it begins to rain. No worries, we carry on. The rain only teases and my gear stays dry enough to continue. And the temperature warms as we move along. We find little nooks in the rock face and piles of leaves. The shooting is easy and we dig into some baking flour to celebrate. Why flour? you might ask. Because it's unpredictable and difficult to photograph (which makes it both a challenge and a pleasure). And I see people photographing with elements like this all the time. So, I thought I'd practice. See what it's all about. I love the color - stark white - among the dark, wet rock and bright, golden sugar maple leaves. The time flies and we make our way back to the car.
Maybe there was nothing revelatory about this photoshoot. We're certainly not the first two people to take nude photos in nature. Maybe we took this time to feel free or empowered by the body. Or maybe we are practicing our job, all our jobs, to look at the world like artists. We are going around reflecting the things we love most about the world to each other. And in this work, we are learning, changing and forever inspiring each other.
Thank you, Sarah.
Having fun (part of the work!)
Waiting, sensing, experiencing the landscape (also, part of the work!)
I believe that through art we can come to understand our selves (and our bodies) in a new way. I came to appreciate my body through dance, specifically through Contact Improvisation. I have fostered a personal relationship with my skin, muscle and bones. How they work or don't work on any particular day is a journey that I experience and learn from. I practice listening to my own needs, pleasures and physical tensions, while giving my body creative outlets to be fully & wildly human. Dance is a way for me to experience my animal self. And photography is a way for me to develop my social-artistic self. Through photos I see the complicated, divine, human, creature self. I am looking through the lens at a reflection of a person. I am capturing moments and reflecting them back to each subject, to each person. I want to share my perspective. I want to see more beauty. See, share, reflect, repeat. Like it's my job.
Skin.Rock.Bone, a photo series that explores the natural beauty of the body among the natural beauty of the earth.
If you'd like to see more of this series, contact me directly at: movingdance@gmail.com Stay tuned for the premiere gallery exhibit of Skin.Rock.Bone coming this winter. And book your photoshoot today!
When you schedule a late-October photoshoot in the windy city you keep your weather expectations LOW. Today is October 28th, the current weather is: 38 degrees, windy, raining with some light snow flurries. But just three days ago in Chicago it was dreamlike: mid-50's, sunny, an autumn breeze carrying the scents of a magical time of year. Nickie, Hector & I walked along Lake Michigan, laughing, playing in the park(s). It was a sweet time, easy to capture them in love.
Thanks for such an awesome photo tour of Chicago, you two. You've inspired me to take another look at Minneapolis/St. Paul. And as the weather slinks towards inevitable winter, I'll be forever grateful of our late October adventure. Can't wait for your summer wedding! Stay warm. And stay sweet.
If you're getting married and would like to book your wedding and/or engagement shoot, please email me directly at: movingdance@gmail.com
